Kerry Morrison at the Hollywood Property Owners Alliance Joint Security Meeting counting nightclubs in Hollywood that she and her coconspirators haven’t destroyed yet.Maybe you remember our semi-recent post about the July 28 meeting of the Joint Security Committee, in which some genius of a Sheriff’s deputy poured forth a never-ending stream of genius-level similes, including a comparison of sidewalk vendors at MacArthur Park with “too many animals in one cage.” Well, with all the furor over Hollywood nightclub totalitarianism, we’ve been too busy to get back to that video until this morning. Take a look here as our friends on the committee and some random cop discuss the Rusty Mullet. As always, a complete transcription may be found at the end of this post, but here is essentially what was discussed in this metaphorically smoke-filled back room.
Marqueece Harris-Dawson is an American hero.Yesterday the Planning and Land Use Management Committee heard the Cosmo Club’s appeal of the Zoning Administrator’s revocation of their conditional use permit. See the whole thing here, with a very short second part here. Also, the Council file is here. This is the second in the ongoing series of Hollywood clubs that cater to minorities being targeted for elimination by Kerry Morrison, the Hollywood Property Owners Alliance, the LAPD, and CD13 rep Mitch O’Farrell. The racist nature of this anti-nightclub campaign is revealing itself to the public, as dirty secrets will do, so this hearing drew some protesters who stated clearly, articulately, just exactly what is going on in Hollywood. Also, although L.A. Times reporting on this issue to date has been sporadic and radically incomplete, I spotted the incomparable Emily Alpert-Reyes exchanging contact information with Cosmo Club attorney Mike Ayaz after the hearing, so maybe something interesting is forthcoming.
There are links to a number of highlights at the end of this post, but the hearing was particularly rich, and I’m going to have to cover it in increments, starting at the end. If you’re not familiar with the situation, you can read up about it here and also here.1 But here is the short version of how we got to this point: Kerry Morrison, her BIDs, and Peter Zarcone decided to destroy a bunch of nightclubs in Hollywood. Mitch O’Farrell told City Planning to get on it. They did, and the City Council will vote in favor of Mitch no matter how bogus the evidence is because they also want to exercise unilateral control over every aspect of everything in their districts, which they can only do with the connivance of their colleagues. Marqueece Harris-Dawson didn’t play along at yesterday’s hearing, which, although he was merely doing his job as a Councilmember, is very brave, since if he does it too often the zillionaire elite will certainly take away his seat in 2019.
CD13 Hollywood Field Deputy Dan Halden at the August 2015 HPOA All Property Owners Meeting.(Hitherto we have sought to understand O’Farrell’s anti-nightclub campaign; the point, however, is to change it)
The other day we wrote about the Rusty Mullet conditional use permit revocation hearing, but didn’t get around to covering CD13 Hollywood Field Deputy Dan Halden’s testimony, which you can listen to here, and as always there’s a transcript after the break, and we’ll just take it line by line, also as always.
My name is Daniel Halden. H-A-L-D-E-N. Good afternoon, I guess. I was going to say good morning, but good afternoon. I serve Councilmember Mitch O’Farrell of the Thirteenth District. I’m his Hollywood Field Deputy, which is a position I’ve had since May 2014.
It is editorial policy here at MK.org to showcase anything true that our guests say. Unfortunately all too often that’s no more than their name, rank, and serial number.
It’s the top priority of the Councilman [unintelligible] to ensure public safety and a high quality of life, whether it’s in Hollywood or anywhere in the Thirteenth District.
This photograph shows that Officer Benjamin Thompson (#39467) of the Hollywood Vice Squad is a mewling, puking liar. Read on for details!A couple weeks ago we wrote about a Zoning Administrator hearing being held for the purpose of revoking the Rusty Mullet’s conditional use permit. Well, the hearing was held on July 28, 2016. As far as we know a determination has not yet been made, but we recently obtained more than five hours of audio from the hearing. You can listen to part I and also part II here. It’s not easy to get through the whole damned thing, which is why you’re lucky to have us! We’ve listened to the whole thing and made clips of some interesting bits. Note that as long as we were haunting City Hall to get this material we also obtained audio from the CUP revocation hearings for the Cosmo Nightclub and the Cashmere, and you can find both of those on this Archive.org page.
Now, long-time readers of this blog will recall that in March 2015 we broke the story that Fabio Conti, Carol Massie, Kerry Morrison, Marty Shelton, and pretty much everyone on the Board of Directors of the Sunset & Vine BID except for Chase Gordon are a bunch of racists who want to shut down every bar on Hollywood Boulevard because they don’t like the skin color of the patrons. So imagine our pleasure at learning that Mike Ayaz, the Rusty Mullet’s lawyer, actually showed our video at the hearing! This was part of the evidence for his position, with which we concur, that the restaurant appears on a hit list of bars being targeted for racist reasons by the BID, the LAPD, and the City Government. You can hear the whole clip here, where he refers to Fabio’s speech as “disturbing video which I would like to play of a quasi-governmental agency that basically…I think I’ll let the video speak for itself.” And speak for itself it does: Fabio Conti, Kerry Morrison, and Carol Massie at a March 2016 meeting of the quasi-governmental agency responsible for the clandestine hit list targeting the Rusty Mullet.
Be sure to catch the audience reaction at the end. It doesn’t make anyone sane happy to hear Fabio Conti channeling Marty Shelton claiming that “the Lindsey Lohans of the world are not hanging out at the Rusty Mullet” with the regulars, who are “decidedly minority, brown and black, and my guess, from a lower economic strata.” These dimwits on the BID are clearly going to regret the day they neglected to listen to their one and only sane Board Member, Chase Gordon, who responded to this bullshit in March 2015 by saying that he didn’t “think that we should be, especially public-facing, going out with the distinction of ‘we don’t want lower economic statuses coming and visiting Hollywood.” Anyway, who can say what will happen, but we here at MK.org are inordinately proud on this beautiful Sunday morning that the citizen journalism of our intrepid correspondent is paying off in this big way. This story is a sleeper, but when it finally makes the papers, it’s going to be huge.
This is not exactly like the BID Patrol. They don’t carry rifles, for one thing.We’ve been writing a lot recently on what strongly appears to be an anti-Latino attitude on the part of the two business improvement districts controlled by Kerry Morrison. The first indication of this was their freakout over the too-dark skin color of local nightclub patrons. After that it turned out that they think that official acknowledgement of Peruvian culture in Hollywood would be “amazingly inappropriate.” Also, both BIDs design their public art contests in such a way that the chance of a Latino artist being selected is significantly lowered, with both the Hollywood Property Owners Alliance and the Central Hollywood Coalition being guilty of this.
Thus it’s hard to understand why it’s not good enough to appear on the signal boxes of Hollywood.
See here and here for the background to this post.
Dear Councilmember O’Farrell,
As you may already be aware, the Hollywood Property Owners Alliance is presently holding a competition to choose artwork to adorn signal boxes in the Hollywood Entertainment District, which they contract with the City of Los Angeles to administer. As you know, the L.A. Department of Transportation requires your approval for this project to move forward. I am writing to ask you to withhold your consent from the HPOA’s plan pending a revision of their stated rules which, regardless of the intent, have the effect of significantly lowering the chance that Latino artists working in some of our most vibrant local traditions will be chosen for this honor.
The problem is that the BID’s stated requirements for submissions include the proviso that “NO Cartoon Images or Graffiti work of any kind will be considered.”1 Graffiti art and cartoon styles are associated in L.A. with Latino, especially Mexican-American artists. Work by Los Angeles artists in these genres has brought world renown, not just to the artists themselves, but to our City. Thus it’s hard to understand why it’s not good enough to appear on the signal boxes of Hollywood. The mystery only deepens when one considers that the HPOA’s requirements also state that “Text Art” will be given full consideration, as if Graffiti art were not also “Text Art.” Continue reading An Open Letter to Mitch O’Farrell Regarding Signal Box Art in the Hollywood Entertainment District→
Sarah Besley, erstwhile bossette of the Central Hollywood Coalition, in 2014, fewer than 20 months after she and her minions torpedoed Peru Village.The Hollywood heroes at Peru Village L.A. held a marvy little festival yesterday across the street from MK.org secret headquarters, which prompted us to break out this story, which we’ve been sitting on for years. Well, not just the festival, but the recent revelations that not only does the HPOA hate mainstream Mexican-American artistic styles, but our councilman, Mitch O’Farrell, who by his own account has “a solid reputation of improving the quality of life for constituents in the 13th Council District,” approves of the anti-Latino-art dog whistlings of the Central Hollywood Coalition. So tonight get ready to hear about how they all have it in for our local Peruvian community as well.
Here’s the back-story. In 2012, a bunch of local Peruvian-Americans in CD13 got a council file started in an attempt to get Vine Street between Melrose and Sunset designated “Peru Village.” This makes some sense because, e.g., there are about five Peruvian restaurants along there, including Mario’s Seafood, which has some of the most astonishing fried chicken in the United States, and Los Balcones, both of which are numbered among the finest restaurants of any variety in our City. So they sent a bunch of really cute kids around to knock on doors and they ended up collecting over 500 signatures from people in the neighborhood.1 If you’re not familiar with Los Angeles politics, it’s worth noting that actual city council elections can easily be decided by 500 votes. For mere neighborhood renaming this is a landslide. Double jeopardy: PERUVIAN GRAFFITI. File under things that will NEVER appear in Hollywood ever ever ever if jittery little psychopath and SVBID founding member Carol Massie has her say, and she will have it, won’t she?
But then in February 2013, jittery little psychopath and Hollywood McDonald’s Queen Carol Massie got wind of the plan and popped off this little slab of characteristically jittery psychopathy, in which she swizzlingly pours forth the toxic product of her unchecked anorectic id thusly, proving that she not only hates America and also hates dark-skinned Hollywood club patrons, but that she also has something against Peruvians:
I am a founding member of the Sunset/Vine Business Improvement District which includes this “Peru Village” area. Not only have I never heard of this petition but we, as business owners, work very hard to make Sunset Boulevard and the famous Sunset & Vine corner a place that people from all over the world2 view as an integral part of Hollywood. Peru Village would include the Cinerama Dome,3 a Hollywood icon, among others, which seems amazingly inappropriate.
Lee Baca, Paul Tanaka, and this freaking genius…nothing but the best and the brightest for the LA County Sheriff…Our correspondent hasn’t been to the Joint Security Committee of the HPOA and the CHC in a long time, but we do miss his reports; that’s where the real crazy happens. You can watch last Thursday’s meeting in its entirety and we’ll be presenting a few different selections from it over the next few days. Tonight’s little jewel has to do with the unknown LA County Sheriff’s Deputy whose picture is presently gracing your screen somewhere near this sentence. No one could understand his name when he announced it during the introductions, which is unfortunate because blasting the personal identity of ham-fisted babbling Sarah-Palin-wannabe cheese eaters like this genius all over the internet in close Google-cinity of their carefully transcribed moronic pronouncements is kind of this blog’s whole raison d’être and stuff. But ’twas not to be.
Graffiti art in Los Angeles is a world-famous cornerstone of local Latino culture. Perhaps this is why the Central Hollywood Coalition, with the explicit approval of Mitch O’Farrell, hates it.We reported a couple weeks ago that the Hollywood Property Owners Alliance had put out a request for artists to submit works to adorn local signal boxes that explicitly excluded graffiti art and cartoon art. This despite, perhaps, given the BID’s vicious white supremacism, because of the fact that graffiti and cartoon art styles are a cornerstone of indigenous Angeleno/Latino culture. Well, if you live in the area, you may have noticed that the Sunset & Vine BID, controlled by the Central Hollywood Coalition, the HPOA’s not-quite-so-evil twin sister, recently put up artwork on ten signal boxes in their district. Their call for artists incorporated the same restriction as the current HPOA one: “No Cartoon Images or Graffiti work of any kind will be considered.” A picture of another white hipster band, approved by Mitch O’Farrell and placed on a signal box in Los Angeles by the Sunset & Vine BID.
We thought we’d investigate the circumstances under which this project was undertaken and approved, and it turned out to be quite illuminating. Continue reading Mitch O’Farrell Explicitly Approved (in Writing) of Sunset & Vine BID’s Racist Public Art Guidelines Even Though They Arguably Controverted LADOT Regulations→
The Rusty Mullet at Hollywood and Las Palmas. Fabio Conti hates it. Carol Massie hates it. Marty Shelton hates it. Peter Zarcone hates it. The LAPD accused it of murder. Tomorrow the City is holding a hearing on whether to shut it down.Listen, this isn’t a joke. First get a copy of the hearing notice in the matter of the Rusty Mullet, being held at the Zoning Commission tomorrow morning. Then read the LAPD summary:
Los Angeles Police Department arrest report and crime analysis documentation of: multiple violations of Conditional Use Permit conditions including, failure to have an operable electronic age verification device, failure to implement a Designated Driver Program, failure to post mandated hours of operation, excess number of seats, allowance of amplified music to extend beyond the premises, allowance of live amplified music, allowance of dancing, allowance of loitering, and allowance of patrons to queue in line outside the premises; as well as, murder, rapes, aggravated assaults, assault with a deadly weapon, batteries, physical altercations, kidnapping, possession of a weapon, narcotic drug violations, grand theft auto, robberies, burglary, thefts, service of an obviously intoxicated person, failure of security guard to possess valid security guard license, public drunkenness, disorderly conduct, disturbing the peace, vandalism, and violation of State of California Department of Alcoholic Beverage Control required operating conditions.
