Rabid but honest racist son-of-a-bitch Lee Atwater. As he famously said about the renowned Southern Strategy, ‘[y]ou start out in 1954 by saying, “Nigger, nigger, nigger.” By 1968 you can’t say “nigger” — that hurts you.’ And what should we do we do about that in Hollywood in 2015, Lee?The late Lee Atwater, erstwhile bought-and-souled Robert Johnson of the Republican party, in a rare moment of lucidity, once explained how white politicians enforced and maintained white supremacy in the United States in the last half of the Twentieth Century:
You start out in 1954 by saying, ‘Nigger, nigger, nigger.’ By 1968 you can’t say ‘nigger’ — that hurts you. Backfires. So you say stuff like forced busing, states’ rights and all that stuff. You’re getting so abstract now [that] you’re talking about cutting taxes, and all these things you’re talking about are totally economic things and a byproduct of them is [that] blacks get hurt worse than whites. Everybody uses this same picture of Nathan Bedford Forrest, founder of the first Ku Klux Klan, looking like he just finished eating the body of a lynched ex-slave but he’s still hungry for more, so we thought we’d use it too.
And subconsciously maybe that is part of it. I’m not saying that. But I’m saying that if it is getting that abstract, and that coded, that we are doing away with the racial problem one way or the other. You follow me — because obviously sitting around saying, ‘We want to cut this,’ is much more abstract than even the busing thing, and a hell of a lot more abstract than ‘Nigger, nigger.’1
From 1865 through nineteen-fifty-something, politicians and demagogues, e.g. Nathan Bedford Forrest, founder of the first incarnation of white businessman’s social group the Ku Klux Klan and Woodrow Wilson, erstwhile president of white supremacist organization Harvard University, could just use the magical incantation of “nigger, nigger, nigger,” and their will would be done. Woodrow Wilson, vocal admirer of D. W. Griffith’s seminal work of cinematic white supremacy. Why do white people have such thin lips?
But, as Lee points out, things started to get more complicated. Instead of saying “nigger,” white supremacists had to talk about states’ rights, and, later taxation. This was the essence of Richard Nixon’s so-called Southern Strategy, which got him elected in 1968 using those precise codewords which his audience heard as “nigger, nigger, nigger,” the same Southern Strategy that a star-struck Lee Atwater is glorifying to the heavens as he breathlessly describes its genius.
By now, though, we’re well into the 21st Century and by now, as the incomparable Steven Johnson has so convincingly argued, everyone is way, way smarter than they used to be.2 These days, even talking too vigorously about taxation will expose one as a revanchist white supremacist. Lee Atwater died unlamented by sane people in 1991, so he didn’t get to see the present state of the progression he so enviously described above. A new vocabulary was needed to maintain white supremacy and, as humans are so very adaptive, a new vocabulary was developed. And wouldn’t Lee have been proud? Continue reading Nathan Bedford Forrest, Woodrow Wilson, Bull Connor, Richard Nixon, Lee Atwater, and the Vicious Crypto-White-Supremacism of the Hollywood Area BIDs→
Extracting ever-increasing amounts of money from dark-skinned bodies requires ever more efficient technology. The BID Patrols are one of the most recent innovations created for this purpose by five centuries of white-supremacist zillionaire American enslavers, whose financial and industrial heirs the BIDs are.In his magisterial work, The Half Has Never Been Told, Cornell historian Edward A. Baptist makes an overwhelmingly convincing argument that the growth of the economy of the United States until 1865 is essentially the growth of technology1 for the efficient extraction of money from dark-skinned bodies.
It’s trivial to extrapolate his arguments past the end of slavery, through the Jim Crow system which supported the South’s cotton economy until the 1960s and beyond, and into the present day. The modern death-star economy of the United States, Baptist shows, was built with the labor of black bodies and fertilized with black blood. The white real-estate zillionaires who make up the Hollywood Property Owners Alliance, therefore, would have none of their wealth, none of their resources, if it weren’t for the torture and murder of black people which nourished the roots of American capital over the last half millenium.
According to Baptist:
Thus enslavers extracted a massive rise in cotton productivity from the 1790s to 1860. While planter-entrepreneurs did not publish their method for making cotton-picking as efficient as possible in a textbook or an agricultural journal, they created practices, attitudes, and material goods—whips, slates, pens, paper, and the cotton plant itself—that made up the method’s interlocking cogs. White overseers also played an important role, and not just as the ones who often put this system of violent labor rationalization into hour-by-hour practice. They probably invented many of the practices of accounting and torture as they carried their slates and bullwhips ever west and south.2
BID patrollies preparing to arrest a man for blocking the sidewalk even though it is manifestly evident that he is not blocking the sidewalk. Someone would later alter the charge to conform to reality.Watch the first minute of this video and see, in 2010, some BID Patrollies confront and accuse a man of “blocking the sidewalk”:
Officer: OK, so do me that favor and just get up and go somewhere cause you’re blocking the sidewalk.
Man: Not blocking the sidewalk, people got places to walk right past me.
Broomfield’s film exposes the fact that the City of Los Angeles allowed a serial killer to operate with impunity for 22 years, murdering untold numbers of women. Neither the LAPD nor the City government took the case seriously because the victims were black women, many prostitutes or drug addicts. This point was made repeatedly and convincingly, both on screen and during the Q&A after the film, by stars Pam Brooks and Margaret Prescod, who has been pressing the LAPD about the killings since 1986, thereby earning the wrath of, among other geniuses, Darryl Gates, our city’s second worst mistake. Gates, in his inimitably idiotic way, called Prescod and her compatriots in the Black Coalition Fighting Back Serial Murders “dummies” for even raising the issue.
Broomfield’s stunning work shows that Prescod and her allies have been right all along, though. The film gives an irrefutable performative demonstration of the fact that the LAPD has never taken this case seriously: In 2009 the LAPD knew of one survivor of the killer’s attacks. In 2014, before Broomfield started filming, that one survivor was still the only one known. But in the course of filming Brooks managed to locate and arrange for Broomfield to interview not just one additional woman who survived the Sleeper’s attacks but four. How is it possible that a serious investigation could leave such major witnesses to be discovered, and not even discovered by the police, four years after a suspect’s arrest?
It’s unconscionable. The City of Los Angeles will never live down the shame of having, through racism and indifference, abandoned dozens or hundreds of its most vulnerable citizens to a cruel thrill-killer (or killers; the true extent of the damage may never be known). It couldn’t have happened without the utter dehumanization of these women, each and every one someone’s child. According to Joshua Kleinfeld of Northwestern University, “in Southern California, police slang in the early 1990s for the murder of drug dealers, gangsters, prostitutes, and other lawbreakers was the vivid and extremely disturbing term, ‘NHI (no humans involved) Homicide.'”2 And once the police and white Los Angeles have dehumanized people to the point that they can be killed without consequence, killers will flourish. Why wouldn’t they? Continue reading Hollywood Property Owners Alliance Promotes Mindset that Aids, Comforts Los-Angeles-Area Serial Killers→
Racially charged May Company advertisement from the Los Angeles Times on May 17, 1925. Click to embiggen.Yes, friends, it’s true. Los Angeles, now the most ethnically diverse place in the United States,1 was once known as “the great white spot of America.”2 Look at the May Company advert there to your right. Read the fine print:
White, the dominant note in the season’s fashions! The cool, pure, fresh, tubable3 white, that will give such splendid service, and such satisfaction in this charming city of the Southland!
…
Trade and fashion journals have long predicted the vogue of white. Paris has acclaimed it! Los Angeles has accepted it! And the fad is on! Never could a fresher fashion predominate. White, with its cool freshness and Summery appeal, is particularly suited to Los Angeles, the great white spot of America.
![Rabid but honest racist son-of-a-bitch Lee Atwater. As he famously said about the renowned Southern Strategy, '[y]ou start out in 1954 by saying, "Nigger, nigger, nigger." By 1968 you can't say "nigger" — that hurts you.'](https://michaelkohlhaas.org/wp-content/uploads/2015/03/Lee_Atwater_1989.jpg)
