Tag Archives: Brenda Perez

Zillionaire Beverly Hills Developers Fig Crossing LLC Pledge Informally Not To Destroy Highland Park’s Beloved Tenochtitlan Mural — They Sent A Letter Apparently To The Historic HLP Neighborhood Council To This Effect — NC President Stephanie Maynetto-Jackson Seems To Have Shared This Letter With Some Folks But Refused To Share It With Others — Which If True Is An Outright Violation Of The California Public Records Act — We Have A Copy Of The Letter Though Because Gil Cedillo Got His Hands On It At Some Point — And Whatever His Other Flaws At Least His Staff Was Ultra-Compliant With The CPRA In This Particular Case

Tenochtitlan, The Wall That Speaks is one of the many murals in Highland Park threatened by gentrification. And HLP heroine Brenda Perez of Restorative Justice for the Arts organized a blessing ceremony, which took place last Sunday,1 to call attention to the peril into which the mural was tossed by Fig Crossing LLC’s recent purchase of the building.

The attention must have rattled the zillionaire Beverly Hills developers because the Thursday before the ceremony2 they had sent Historic Highland Park Neighborhood Council President Stephanie Maynetto-Jackson a letter stating that they did not intend to destroy the mural after all.

Apparently Maynetto-Jackson shared this letter with at least one member of the public because it popped up here and there on social media and eventually made its way via the world’s oldest field deputy and famous CD1 attack toad Bill Cody to Gil Cedillo’s Instagram.

And as word spread, well, other people wanted to take a look at this letter as well. So it came to pass that Perez asked Maynetto-Jackson for a copy but Maynetto-Jackson told her sorry, no, it’s confidential, you can’t see it.

Now, it’s a common misconception about the California Public Records Act that there’s some kind of formal process required to make a request for records. This is totally wrong. All that’s required is that a member of the public ask someone who has control over the records to let them take a look at them.

That’s a request under the law and the public official is required to respond accordingly. In particular, according to §6255(a), if they’re not going to give access to the record they must cite an actual exemption from the CPRA that authorizes them to withhold it. And as you may have guessed, “confidential” is not one of these.3

So yeah, it sure looks like Stephanie Maynetto-Jackson broke the law by refusing to hand over the letter. And meanwhile, it’s nice to have an informal non-binding promise from the zillionaire developers not to mess up the mural, but an actual contract, something with some teeth, is necessary. Let’s see what develops, shall we?


Image of Stephanie Maynetto-Jackson is ©2020 MichaelKohlhaas.Org and then of course there’s one in every crowd.

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In April 2017 Cedillo Minion Bill Cody Told Yami Duarte Of The Department Of Cultural Affairs About CD1’s Plans For That Frank Romero Mural — And She Told Cody That There Were Also Plans For A Mural By Zender On The Same Wall — And The Procedure In That Case Was To Present Both Murals To The Cultural Affairs Commission At A Public Hearing — And He Told Duarte That Cedillo Wouldn’t Want To Do It That Way — It Seems That Rules And Procedures Are For Other People In Cedillo’s And Cody’s CD1 — Especially If They Interfere With Cody’s Mad Thirst For Vengeance

Last week I wrote about how CD1 staffer Bill Cody used his position with the City to revenge himself against Highland Park community art activists Brenda Perez and Yaya Castillo by trying to get City funding pulled from a mural because a compatriot of theirs, muralist John Zender, was involved in the project. That happened in June 2018, and the backstory is well-summarized in that post, so I won’t repeat it here. The very short version is that Bill Cody was pushing a mural by Frank Romero of Los Four at least in part to silence community agitation at the destruction of a mural by Zender at the behest of the reprehensible Highland Park Business Improvement District.

Well, it turns out that in April 2018, when Cody was beginning the process of organizing Frank Romero’s new pro-Olympics mural, there was also a project by Zender proposed for the same City-owned wall. It turns out that the Cultural Affairs Commission, which must approve murals on City property,1 has a process in place to resolve just this kind of situation. Which they would have to have, of course, because the City property belongs to everyone. If more than one artist wants to put a mural somewhere there has to be a fair method of choosing.

Accordingly, Yami Duarte of the Department of Cultural Affairs told Bill Cody that all murals on City property must be approved by the CAC and that the DCA “Director is apprised that there may be another mural proposal for the same location by artist Mr. John Zender Estrada, and recommends that both projects be presented side by side to the Commission.” By the way, I don’t think that it has been previously reported that Zender had plans for a mural where Romero’s mural was going to be painted. The story is told in this brief email conversation, of which there is a complete transcription after the break.2

But, as we’ve seen, Cody really had it in for Zender, so he wasn’t having that. And he wasn’t owning his not having it either, as he attributed his unwillingness to follow the rules and let the CAC decide which mural ought to be placed on the wall to Gil Cedillo.3 Thus spake Bill Cody: “I do not think the Councilmember will want to do it that way and I think we should have a conversation about this.” Of course, the vengeful Cody doesn’t want to do anything any way that might result in some democratically empowered body such as the CAC choosing something other than what he had planned, which is keeping Zender’s work off walls in Highland Park. And of course he invokes Cedillo, the source of his power.

Cody evidently had his way with the mural, although the details are still unknown. For whatever reason Romero’s mural didn’t come up before the CAC until its January 9, 2019 meeting. Take a look at the agenda for yourself and notice that there’s nothing at all about Zender on there. And that’s the story. Sure, it’s more low key than all that lurid nonsense about Cody punishing constituents for attacking his office on Facebook, but it’s just as corrosive of democratic principles. So turn the page for a transcription and also to take a look at how the Department of Cultural Affairs thinks it’s somehow appropriate to redact the name and email address of City staffer Rebeca Guerrero.4 I asked them why, but they declined to respond.
Continue reading In April 2017 Cedillo Minion Bill Cody Told Yami Duarte Of The Department Of Cultural Affairs About CD1’s Plans For That Frank Romero Mural — And She Told Cody That There Were Also Plans For A Mural By Zender On The Same Wall — And The Procedure In That Case Was To Present Both Murals To The Cultural Affairs Commission At A Public Hearing — And He Told Duarte That Cedillo Wouldn’t Want To Do It That Way — It Seems That Rules And Procedures Are For Other People In Cedillo’s And Cody’s CD1 — Especially If They Interfere With Cody’s Mad Thirst For Vengeance

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Weirdo Cedillo Staffer Bill Cody Tried To Withhold Money From A City-Funded Highland Park Mural Because Renowned Highland Park Muralist John Zender Estrada Was Involved — On The Basis Of A Bizarre Grudge Against HLP Heroines Yaya Castillo And Brenda Perez — Like The Freaking Mural Mafia Of CD1 — Cody: “We’re Not Really Big On Giving Grants To Folks Who Are Involved With People Who Have Been Attacking The Council Office On Social Media”

This Highland Park mural story gets more convoluted and appalling by the day. You’ll recall that in concert with the Highland Park Business Improvement District Cedillo staffer Bill Cody worked with the Department of Cultural Affairs to allow the BID to destroy two well-loved murals in Highland Park. One of these was by renowned HLP muralist John Zender.

This episode led to community protests, organized by among others HLP heroes and heroines Brenda Perez, Yaya Castillo, and Mando Medina, who ended up being surveilled and stalked by Cody, as well as the establishment of radical pro-mural/anti-gentrification group Restorative Justice for the Arts by Perez. Oh, and did I mention this petition calling Bill Cody out for his serially harassing ways?

Cody also has a long-stewing grievance against Perez, Castillo, and Medina, based on something to do with Chicken Boy, Amy Inouye, and Stuart Rapeport, that I do not understand and it really seems like he made it all up, which is not uncharacteristic of the fellow. So there’s a lot of tension swirling around HLP these days with respect to murals and the people involved with them.

And then there’s Kathy Gallegos, executive director of HLP art scene fixture Avenue 50 Studio. The studio accepts funding from the Department of Cultural Affairs, and apparently one thing that Gallegos does with the money is arrange for murals to be painted around HLP. And it seems that in June 2018 Gallegos had a contract with DCA to organize a mural by Anthony Ortega and some of the funds were provided by CD1, with Bill Cody staffing the matter.1 The story is told in this email conversation of which, as always, there is a transcription after the break.

But then Cody discovered that Gallegos had subcontracted with Zender, along with a number of other respected HLP artists. And Cody flipped out and sent an at-the-mouth-frothing email to Yami Duarte and Felicia Filer of DCA interrogating them on this development, demanding that Zender be removed from the project and threatening to withdraw CD1’s funding. Why? Because Zender was known to be friendly with Castillo and Perez and, according to Cody:

The grant was approved by myself and I never would have involved the parties that have been attacking the local constituents. I am told Brenda Perez and Yaya Castillo have been involved and at this point I would like the contract redone with John’s name removed for many, many reasons.

And Cody made it very clear that he views CD1’s cultural funding as a way to reward his friends and punish his enemies:

We’re not really big on giving grants to folks who are involved with people who have been attacking the Council Office on Social Media. We’ll definitely want to make sure that does not happen in the future.

And the trouble with this? There are so many troubles. [A]ttacking the Council Office on Social Media is what we do in America. It’s none of Cody’s damn business who’s attacking the Council Office. And if CD1 is going to be giving out grants, they’re certainly not allowed to choose the recipients based on their political opinions. That’s just a straight-up violation of the First Amendment.

And it’s a betrayal of the public trust. CD1 doesn’t have all that money so their staffers can play favorites and hand it out to their smoochy-face friendsy-wendsies. They have it so that they can keep things running and make the City better. If that means following the rules and paying people who attack the Council Office on social media, well, that’s the kind of thing that grownups have to do sometimes.

And not only is this illegal, not only is it a betrayal, not only is it immature, but like everything about Bill Cody, it’s also stupid in the kind of floridly bizarre way that’s essentially the guy’s signature at this point. For reasons only he understands Cedillo hasn’t fired the guy for being a serial harasser, but maybe he’ll fire him for making him look like such a chump. In any case, turn the page for transcriptions of the emails.
Continue reading Weirdo Cedillo Staffer Bill Cody Tried To Withhold Money From A City-Funded Highland Park Mural Because Renowned Highland Park Muralist John Zender Estrada Was Involved — On The Basis Of A Bizarre Grudge Against HLP Heroines Yaya Castillo And Brenda Perez — Like The Freaking Mural Mafia Of CD1 — Cody: “We’re Not Really Big On Giving Grants To Folks Who Are Involved With People Who Have Been Attacking The Council Office On Social Media”

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Highland Park Mural Controversy Covered In LA Magazine! — City Staffer Felicia Filer Confirms In Print For The First Time That The Highland Park BID AKA The North Figueroa Association Complained About The Mural And Removed It! — Congrats All Around To Fearless And Revolutionary HLP Art Activists Who Are Working Tirelessly To Publicize And Repair The Damage Done By This Damnable BID!

Yesterday LA Magazine published an excellent and comprehensive story about the Highland Park mural controversy. The single most important element of this singularly important article is the fact that for the first time the City of Los Angeles, in the person of Cultural Affairs staffer Felicia Filer, acknowledged that the Highland Park BID was in fact behind the illegal, immoral removal of John Zender Estrada‘s masterpiece of a mural:

Felicia Filer, public art director at the city’s Department of Cultural Affairs, says a member of the Highland Park Business Improvement District (BID) filed a complaint with the city and was granted permission to paint over the wall. It was not registered with the department. “I do not know why the BID person took that action as the wall has been used as a graffiti yard since 1993,” Filer wrote in email.

This confirms already-believable allegations against the damnable BID by local art activists, including Restorative Justice for the Arts and Mando Medina, who have been the subject of exceedingly creepy surveillance and stalking by both BID board members and ick-stick City staffer Bill Cody, the world’s oldest field deputy.1

So please read the article, and turn the page for another excerpt, featuring a quote from Brenda Perez, an incomparable hero of this City as well as being one of the motivating forces behind Restorative Justice for the Arts.
Continue reading Highland Park Mural Controversy Covered In LA Magazine! — City Staffer Felicia Filer Confirms In Print For The First Time That The Highland Park BID AKA The North Figueroa Association Complained About The Mural And Removed It! — Congrats All Around To Fearless And Revolutionary HLP Art Activists Who Are Working Tirelessly To Publicize And Repair The Damage Done By This Damnable BID!

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