And the story I’m here to tell you this morning certainly does not contradict that narrative, but it adds a surreal tinge of unprofessional immature junior-high-schoolistic tattle-tale-ing that I really haven’t seen before. In short, a guy named Paul Solomon bought some property in the Gateway to LA BID. Executive Directrix Laurie Hughes, thinking she recognized his name, asked Miranda Paster for the scoop on him. Miranda Paster emailed freaking Estela Lopez for more info. Estela Lopez, evidently still smarting from the whole Arts District debacle, which put her out of a job in 2013, flipped the fuck out, defamed Paul Solomon every which way, and Miranda Paster facilitated, solicited, and encouraged the whole mess. You can read the entire email chain here. And you can turn the page for an introduction to the cast and crew, a discussion of the issues, and, of course, a transcription of the salient bits of the PDF.
Continue reading OK, Estela Lopez Doesn’t Like Paul Solomon And Yuval Bar-Zemer, We Get That. But (A) Are We In Freaking Junior High School? And (B) Why Is This Any Of Miranda Paster’s Freaking Business?? And (C) Why Is Miranda Paster Soliciting Defamatory Statements About Property Owners And Passing Them Around To Random BID Directors, E.G. Freaking Laurie Hughes??!
Tag Archives: Yuval Bar-Zemer
Miranda Paster, Subverter Of Arts District BID Alternatives: Some Of What $3000 Bought The BIDs of Los Angeles Over The Years And How She Got Temporarily “Bumped” Due To Allegations Of Conflict Of Interest
The story begins in 2011,2 when BIDs gave Miranda Paster $3000 to attend the IDA’s 2011 annual conference in Charlotte, North Carolina. Take a look at this collection of emails and records of payments from 2011. These show that less than two weeks before the conference started, Paster was scrambling to get the money together to attend, but that she already had a commitment from the BIDs to pay $3000 (a log of the actual payments is included there). It seems that in 2011, Paster’s attendance at this conference was a new thing for her, as the financing was arranged in such a hurry. I’m guessing that at this point presenting at this conference was not yet part of Paster’s official duties. It’s a rare bureaucracy indeed which will not pay its employees’ expenses to carry out their duties. So the BIDs paid, buying at least a sense of obligation.
Unfortunately, IDA records of the 2011 conference don’t seem to show what Paster did there, but by the 2012 conference, held in Minneapolis, she was a panelist. This is interesting in itself. The panel, moderated by Rena Leddy, now of the Fashion District BID but then of Progressive Urban Management Associates, or PUMA,3 was entitled How Cities Encourage BIDs: Trends and Challenges.4 Here is a copy of a Power Point summary of the session, which is astonishing in its own right.5
Now, you may not be familiar with the story of the destruction and resurrection of the Arts District BID. It began in 2011 when Yuval Bar-Zemer of Linear City development initiated a campaign against the BID based on the theory that BID assessments used for marketing campaigns didn’t benefit assessed property owners in any way allowed under state law.6 A court case ensued, and in May 2013 Superior Court judge Robert O’Brien ordered the BID to dissolve.
Continue reading Miranda Paster, Subverter Of Arts District BID Alternatives: Some Of What $3000 Bought The BIDs of Los Angeles Over The Years And How She Got Temporarily “Bumped” Due To Allegations Of Conflict Of Interest
A Crucial Open Question in Anti-BID Theory: Where Does the City Clerk Get the Authority to Sign Pro-BID Petitions Before the BID is Approved? Arts District BID Episode From 2013 Highlights City’s Hypocrisy On This Issue and Collusion With Carol Schatz
Roughly, the process for creating a new BID goes like this: Some property owners hire a consultant who collects petitions in favor of the BID. When petitions adding up to more than 50% of the total assessments in the proposed district are on hand, they’re submitted to the City Clerk, who then takes the matter to City Council.7 One interesting aspect of this is that City-owned parcels in the proposed district are voted in exactly the same way that privately owned parcels are. That the City always votes in favor of BIDs is well-known, although see below for an episode where the City actually opposed a BID proposal.8 In fact, part of the consultant’s job seems to be to gerrymander as much City-owned property into the BID as possible so as to minimize the requisite number of agreeable private owners. The City Clerk, currently Holly Wolcott, is somehow authorized to sign petitions on the City’s behalf for City-owned parcels.
But the petitions must be signed before City Council can pass an ordinance of intention to form the BID. For instance, in the case of the proposed Venice Beach BID, consultant Tara Devine submitted the signed petitions to the Clerk before June 24, 2016. City Council passed the Ordinance of Intention on July 1, 2016. But see these pro-BID petitions for City parcels, signed by Holly Wolcott on June 15, more than a week before Council voted to authorize the BID process. Of course the City always favors BID formation, but where does the Clerk derive the authority to sign these? It can’t be from the Council vote, which happens afterwards. There must be a law or a rule or something authorizing this. I haven’t been able to find it yet, although I’m sure it exists.
Continue reading A Crucial Open Question in Anti-BID Theory: Where Does the City Clerk Get the Authority to Sign Pro-BID Petitions Before the BID is Approved? Arts District BID Episode From 2013 Highlights City’s Hypocrisy On This Issue and Collusion With Carol Schatz