
Davis’s crazed antics were so reprehensible that even his official LAPD bio has to acknowledge this reality in surprising detail. It’s worth reading the whole thing and, as well, reading Joe Domanick’s fine history of the LAPD up through the Spring of 1992, To Protect and Serve: The LAPD’s Century of War in the City of Dreams, to understand the role that Davis’s lunacy incarnate prepared the way and made the paths straight for both the 1965 and the 1992 popular uprisings. We’re concerned here, though, with only one essential aspect of Davis’s legacy: The Red Squad. Read from the contemporary LAPD’s statement on the matter:
With his return to office in 1933, Chief James E. Davis deployed a “Red Squad” to “investigate and control radical activities, strikes, and riots.” By today’s standards, the Squad’s tactics were intolerable, but its members had the blessing of government officials and the business community. In referring to individuals deemed subversive, one Police Commissioner voiced his views by declaring: “The more the police beat them up and wreck their headquarters, the better. Communists have no Constitutional rights and I won’t listen to anyone who defends them.”
Despite its disavowal by today’s ostensibly more sane LAPD, Davis’s red squad persisted far into the 20th Century. In his fine history of such American police political surveillance units, Protectors of privilege : red squads and police repression in urban America, Frank Donner explains that
The Los Angeles red squad was above all characterized by an undiluted nativism and a blatant patron-client relationship with local business interests, which was openly proclaimed against the local labor movement over the years…1
Well, these days, the LAPD can’t spy on political dissenters any more, and plus the “local labor movement” was, at least until the phoenix-esque rise of SEIU and its ideological kin, pretty much burnt/napalmed/incinerated by “local business interests.” But all that red squad apparatus didn’t just vanish. As with so many of the tools of oppression forged by the white ruling classes of Los Angeles in the Twentieth Century, political surveillance of citizens engaged in entirely legal activities was transferred over to and/or eagerly taken up by Business Improvement Districts, who have subsumed most of the municipal functions related to the “intolerable…by today’s standards…” “blatant patron-client relationship with local business interests…” Read on for a host of examples of the BID Patrol spying on the citizens of Hollywood for purely political reasons and, Stasi-like, keeping creepy files full of the fruits of their voyeurism-under-color-of-law.
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
On 7-24-13, our Officers Coogle and Ayala were asking the homeless Eva and her boyfriend Jonathon (AKA Blaze) to wake up and move off the public sidewalk. A man named Jeffrey then walked up to Officer Coogle who was sitting in his vehicle. He stood very close, even thrusting his head inside the window causing a potential Officer Safety issue. He was very agitated and yelled that the Officers were harassing the homeless and as security guards, they had no right to do so. A Supervisor was called to the scene.

Note well that Steve Seyler mentions that this guy was “…causing a potential Officer Safety issue.” That’s secret police-lingo code for someone who’s legally killable by them. Not only does the BID have its armed minions spying on the residents of Hollywood based on their politics, but, like the Davis-era red squad they emulate, they’re setting them up to be killed should it become desirable to their masters, the Hollywood Property Owners Alliance. Another clue to the BID Patrol’s possible intentions here can be found in the name of the file, which is “415 male (7-24-13)- stop harr. the homeless.jpg”. Steve Seyler is famous for putting the crimes for which his victims were arrested into the names of their arrest images. As far as we can tell this guy was not arrested, but look at 415 PC! It’s disturbing the peace. Does Steve Seyler really think he’s gonna charge someone with disturbing the peace for yelling at a security guard? Delusional!
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
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Finally, the BID Patrol has spent endless hours over the course of years and years and years spying on anyone who has the nerve to give food to homeless people in Hollywood. They can’t stop them because this is perfectly legal to do, so instead they take pictures. We have literally hundreds of these. We’ll be making them available soon, and you can find many but not all in our Archive.org collection. We’ll finish this off with a small sample. Click thumbnail for full-size file.
So yeah, that’s what your friendly neighborhood armed BID Patrol minions are doing. They’re taking photos of people who express dissent, who exercise their constitutional rights, who just exist in Hollywood in a way that the HPOA doesn’t like. In the early Twentieth Century the LAPD handled this kind of bullshit for the zillionaires of the city but that’s no longer possible after the riots that that kind of evil spawned forth. Thus the city has handed the evil back to the zillionaires via their front organizations the BIDs. And on and on it goes.
- Page 33, if you’re interested.
Image of James Davis and woman from 1931 is probably out of copyright, but in case not, we’re claiming fair use. It’s via USC Digital Library. Spy images are all public records, and so public domain in the great state of California. We got them by asking Kerry Morrison nicely and you can too! The image of happy slaves on a plantation is in the public domain and we got it via Wikimedia.