As we previously discussed, the Hollywood Media District BID recently expanded the size of its board of directors in order to include Joseph Varet, who told the assembled worthies that he wanted to be on the board “to contribute my own non-profit/for-profit board experience to just contribute towards further…uh…developing the district in a positive and sustainable way.” We don’t know about you, but, to paraphrase Hanns Johst, “Wenn ich überzeugt und nachhaltige höre … entsichere ich meinen Browning!”1
At their meeting on November 20, 2014, the Hollywood Media District BID expanded the size of its Board of Directors from 17 to 19 in order to accommodate two new members. You can watch here as one of them, Joseph Varet, introduces himself to the board.
Here’s the story. Joseph and his wife, Esther Kim, whose marriage was the subject of a surreally sycophantic New York Times article in 2011,1 moved here from Houston or some other place east of San Bernardino sometime roughly around last week, and started a gallery named after an Ed Ruscha project, Various Small Fires. “After all, these are two people who approach life as a kind of experiential art form.”1 First they ran it out of their big-ass house in Venice2 but more recently moved it to a newly-purchased and renovated building at 812 Highland.
It seems that, according to Joseph, all the best contemporary art galleries in the universe are moving to this neighborhood like a bunch of sheep in the wake of Regen Projects’s 2012 relocation to Highland and Santa Monica. Joseph speaks at length about the impending Weltreisezielmodernenkunstheit of the area, which is about 4 blocks from where the Greater West Hollywood Food Coalition does its nightly mitzvah. The GWHFC is opposed in this by the Media District BID with lawsuits, subversive attempts to outlaw sharing food in public, whining, disgraceful letters to the editor, and probably any number of other shameful tactics. Of course, Joseph, whose wife has “never caught him in a lie,”1 mentions none of this. What, after all, do hunger, suffering, misery, have to do with “developing the district in a positive and sustainable way?” “It’s the damage that we do and never know. It’s the words that we don’t say that scare me so.”3