Tag Archives: White Zillionaires

How The Racist Cancer Of The HPOA Signal Box Art Contest Rules Spread To The Ritzy Little Apartheid Stronghold of Larchmont Village, Forcing Me To Hire A Lawyer To Pry The Evidence Out Of Their Secretive Grasping Scofflaw Zillionaire Fingers

Artist Ann Bridges's original submission to the Larchmont Village BID's signal box art contest, showing a later-censored illegal fruit cart.
Larchmont Village BID signal box art contest winner Ann Bridges’s original submission, showing a later-censored illegal fruit cart.
Last Summer we broke the story of the Hollywood Property Owners Alliance’s anti-Latino signal box art contests and of CD13 Councildude Mitch O’Farrell’s willing complicity in this disgraceful episode, along with his stubborn doubling-down through silence in the face of what1 seems like some pretty cogent criticism. The story has dropped off the blog, but not off our agenda. The last thing I discovered, but did not write about until now, was that the Google revealed2 that the kooky little backwater BID in Larchmont Village, that old-school Southern California Apartheid throwback3 ritz-o-rama neighborhood in South Central Hollywood,4 had also held a signal box art contest, and it had also included the very phrase made famous by its ethnic-cleansing big sisters to the North: “No cartoon images or graffiti work of any kind will be considered.”

Well, naturally, I was going to investigate this phenomenon, the point being to find ground zero of this pernicious nonsense,5 so on August 6, 2016, I fired off a CPRA request to Heather Duffy Boylston, whose email address is linked to in the BID’s contact form. Wait a while. Crickets. I spent the next couple months firing off more emails to various co-BIDspirators,6 making phone calls, leaving voicemails and messages, offering to stop by offices, whatevers, and still…just silence. I asked Miranda Paster to intervene. I asked Holly Wolcott to intervene. Nothing. So finally, even though I hate to spend the money, but who can sit around doing nothing7 while zillionaires flaunt their characteristic indifference to truth, justice, and the rule of law, I hired a lawyer to fire off a demand letter. That woke them up, and they sent me a whole bunch of nonsensical irritating junk about their signal box art contest. You can browse through it in the usual places:

And turn the page for the highlights of the contest itself. As always, it’s chock-full of unselfconscious zillionaire weirdness and such-like goodies.
Continue reading How The Racist Cancer Of The HPOA Signal Box Art Contest Rules Spread To The Ritzy Little Apartheid Stronghold of Larchmont Village, Forcing Me To Hire A Lawyer To Pry The Evidence Out Of Their Secretive Grasping Scofflaw Zillionaire Fingers

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The Bloody Slave Empire of the Hollywood Property Owners Alliance

Extracting ever-increasing amounts of money from dark-skinned bodies requires ever more efficient technology.  The BID Patrols are the latest innovation created for this purpose by five centuries of American enslavers.
Extracting ever-increasing amounts of money from dark-skinned bodies requires ever more efficient technology. The BID Patrols are one of the most recent innovations created for this purpose by five centuries of white-supremacist zillionaire American enslavers, whose financial and industrial heirs the BIDs are.
In his magisterial work, The Half Has Never Been Told, Cornell historian Edward A. Baptist makes an overwhelmingly convincing argument that the growth of the economy of the United States until 1865 is essentially the growth of technology1 for the efficient extraction of money from dark-skinned bodies.

It’s trivial to extrapolate his arguments past the end of slavery, through the Jim Crow system which supported the South’s cotton economy until the 1960s and beyond, and into the present day. The modern death-star economy of the United States, Baptist shows, was built with the labor of black bodies and fertilized with black blood. The white real-estate zillionaires who make up the Hollywood Property Owners Alliance, therefore, would have none of their wealth, none of their resources, if it weren’t for the torture and murder of black people which nourished the roots of American capital over the last half millenium.

According to Baptist:

Thus enslavers extracted a massive rise in cotton productivity from the 1790s to 1860. While planter-entrepreneurs did not publish their method for making cotton-picking as efficient as possible in a textbook or an agricultural journal, they created practices, attitudes, and material goods—whips, slates, pens, paper, and the cotton plant itself—that made up the method’s interlocking cogs. White overseers also played an important role, and not just as the ones who often put this system of violent labor rationalization into hour-by-hour practice. They probably invented many of the practices of accounting and torture as they carried their slates and bullwhips ever west and south.2

And it’s not all in the past.
Continue reading The Bloody Slave Empire of the Hollywood Property Owners Alliance

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