I recently obtained about 140 hand-written daily logs prepared by the Hollywood Media District BID’s security guards. These are also available via Archive.Org, which has the advantage that the whole set can be downloaded using BitTorrent. The set is not complete, and it mostly comprises swing shift logs, but I didn’t select these at all. I just scanned them in the order in which they were provided to me.
Yesterday night the Times reported that a suit was filed in federal court on January 14, 2016, on behalf of people, including NLG-LA lawyers there to observe, whose rights were violated by the LAPD in November 2014 during a protest against a Missouri grand jury’s failure to indict Darren Wilson for killing Michael Brown. For whatever reason, newspaper articles like this never link to the court filings, which I, and maybe even you, find fascinating. On the face of it this case has nothing to do with BIDs, although it’s conceivable that a connection will develop,1 but I’m going to collect filings here anyway since I’m going to read them myself, so I might as well distribute them. I don’t plan to write much on them, but who knows? I set up a page to display them. It’s also reachable through the menu structure above. Right now the initial complaint is there and is well worth your time. There are some selections after the break: Continue reading Documents Available as City of L.A., Charlie Beck Sued by Michael Brown Protesters, National Lawyers Guild, over November 2014 Rights Violations→
In October 2015 we wrote about a number of cases where the Andrews International Hollywood BID Patrol collected intelligence information on its perceived enemies, mostly residents of Hollywood who opposed them in some manner. Among these instances of BID Patrol spying there was a mysterious case involving a man named Eric, pictured to the right. Our faithful correspondent has recently obtained a number of emails from the LAPD, which he’s preparing for publication and plans to make available quite soon. We jumped the queue on this email,1 though, because it explains a number of lacunae in our previous post.
It’s from Kerry Morrison to LAPD officer Mark Dibell about Eric, written in September 2014, 33 months after the January 2012 surveillance photographs of the man were taken by the BID Patrol. The subject line is “A matter for Vice.” TL;DR is that Eric “…had a routine of harassing and filming the BID patrol…” and so Kerry Morrison and A/I tracked his movements, photographed him, and almost three years later, wrote to the LAPD on behalf of his new landlord, Kelly Vickers of Eastown Apartments, reporting past, evidently unsupported, allegations of “sexual misconduct…and drug use” among other things. The subject line suggests that Kerry is trying to get this guy in trouble with the Vice squad as a service to one of the property owners in the BID.
How does anyone think this is OK? How does the BID carry on a three year vendetta against this guy for filming their security guards? Sure, Kerry claims it’s because of “sexual misconduct…and drug use,” but really, if the guy was provably up to those things why all the emails and subterfuge? Why not just call the actual cops and make an actual police report like actual non-creepy-zillionaires have to do in such circumstances? It’s pretty unlikely anyway that one can move into a fancy douchebag-serving apartment paradise like Eastown without a criminal background check, so the “allegations” remain only allegations. And even if he was or is guilty of “sexual misconduct…and drug use,” how is investigating that the business of the BID Patrol? They’re freaking security guards, not spies, not detectives.
First of all, I reorganized our documents. I think the new system will make it easier for you to find things. I know it’ll make it easier for me to add new material, and I have a lot of stuff coming in soon. The “Document” menu in the header now leads to a link and an iframe pointing at this page, which is just a raw files and directory set-up. For now I’m only allowing http access, but I might set up ftp access in the future. In any case, have at it! The only problem left unsolved is how to host the 15+ gigs of photos I have on hand. I’m working on a solution involving dropbox, since archive.org has turned out to be pretty slow for that many images and Flickr seems complicated for bulk uploads and metadata editing. I could be wrong about this, though. More news soon. Second, there’s a bunch of new stuff about Selma Park. Read on for details. Continue reading New Documents About Selma Park From the HPOA, New Document Storage System→
Wikipedia is a perfect source for information about James Edgar Davis, erstwhile Chief of the LAPD and, amongst his chiefly peers, tied for second place with Daryl Francis Gates, the two of them behind only William Henry Parker III when ranked by sheer, unrelenting, untempered, unexcused, unreflected-upon, psychopathic brutality. James Davis was famous for letting not truth, not justice, not love, not mercy stand in the way of the almost visionary level of violent frenzy up to which he kept his troops constantly whipped. Most stuff on Wikipedia is made up and a lot of it is harmful. The people that work for Wikipedia are mostly petty tyrants, sadists, and torturers, convinced that their evil is done in the service of a greater good because their insane leader told them that was the case. The same story is true the reign of James Davis as Chief of the LAPD as well.
Davis’s crazed antics were so reprehensible that even his official LAPD bio has to acknowledge this reality in surprising detail. It’s worth reading the whole thing and, as well, reading Joe Domanick’s fine history of the LAPD up through the Spring of 1992, To Protect and Serve: The LAPD’s Century of War in the City of Dreams, to understand the role that Davis’s lunacy incarnate prepared the way and made the paths straight for both the 1965 and the 1992 popular uprisings. We’re concerned here, though, with only one essential aspect of Davis’s legacy: The Red Squad. Read from the contemporary LAPD’s statement on the matter:
With his return to office in 1933, Chief James E. Davis deployed a “Red Squad” to “investigate and control radical activities, strikes, and riots.” By today’s standards, the Squad’s tactics were intolerable, but its members had the blessing of government officials and the business community. In referring to individuals deemed subversive, one Police Commissioner voiced his views by declaring: “The more the police beat them up and wreck their headquarters, the better. Communists have no Constitutional rights and I won’t listen to anyone who defends them.”
The Los Angeles red squad was above all characterized by an undiluted nativism and a blatant patron-client relationship with local business interests, which was openly proclaimed against the local labor movement over the years…1
Well, these days, the LAPD can’t spy on political dissenters any more, and plus the “local labor movement” was, at least until the phoenix-esque rise of SEIU and its ideological kin, pretty much burnt/napalmed/incinerated by “local business interests.” But all that red squad apparatus didn’t just vanish. As with so many of the tools of oppression forged by the white ruling classes of Los Angeles in the Twentieth Century, political surveillance of citizens engaged in entirely legal activities was transferred over to and/or eagerly taken up by Business Improvement Districts, who have subsumed most of the municipal functions related to the “intolerable…by today’s standards…” “blatant patron-client relationship with local business interests…” Read on for a host of examples of the BID Patrol spying on the citizens of Hollywood for purely political reasons and, Stasi-like, keeping creepy files full of the fruits of their voyeurism-under-color-of-law. Continue reading Andrews International BID Patrol Runs Ideological Countersurveillance Operations Against Residents of Hollywood, Hearkening Back to Bad Old Days of James Davis and the LAPD Red Squad→
We’ve heard so darn much about the NSA and all the evil stuff they can learn via metadata, so we thought we’d try some of the same moves on this sequence of images, of which we have nine in our possession. Here they are all in a row (click to enlarge), and you can see and get the individual full-sized files after the break:
I am pleased to announce the availability of about 1.3 GB of images, obtained from the HPOA under the California Public Records Act. The main archive page is here. You can see a listing of the files for individual download here. I rot13-ed the filenames to protect people’s privacy somewhat.1 You can get the whole batch via bittorrent which, as always, is most efficient if you want local copies of these pictures. I’ll be organizing these into thematic PDF flip-books and publishing them at the Archive and on Amazon over the next few weeks, but as it may be a while I thought I’d make the raw images available now.
If you don’t know what rot13 is you need to get your internet user’s license renewed post haste!
Image of man explaining democracy to the BID Patrol is a public record.
I am pleased to announce the availability of about 4GB of images, obtained from the HPOA under the California Public Records Act. The main archive page is here. You can see a listing of the files for individual download here. I rot13-ed the filenames to protect people’s privacy somewhat.1 You can get the whole batch via bittorrent which, as always, is most efficient if you want local copies of these pictures. I’ll be organizing these into thematic PDF flip-books and publishing them at the Archive and on Amazon over the next couple weeks, but as it may be a while I thought I’d make the raw images available now.
If you don’t know what rot13 is you need to get your internet user’s license renewed post haste!
Image of beaten-up man is a public record.
A collaborative denunciation of Business Improvement Districts in Hollywood