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Peter Zarcone and Kerry Morrison Conspire Not To Enforce CUP Conditions Against BID-Approved Venues for November 2015 BID-Sponsored Music Festival In Stark Hypocritical Contrast To Their Overzealous Hyperenforcement Against Minority-Serving Venues in Hollywood

A newly shaven Peter Zarcone in April 2015.
A newly shaven Peter Zarcone in April 2015 just as his joint vendetta with the BIDs against nightclubs in Hollywood took off.
Recall that in April 2015 the two HPOA BIDs, the LAPD, and the Hollywood Chamber of Commerce revealed an ongoing conspiracy to shut down minority-serving entertainment venues in Hollywood. Their favored technique for doing this is hyperenforcement of Conditional Use Permits (CUPs). These documents contain numerous restrictions on the operations of bars, restaurants, and so on. Violating these conditions while operating is actually a crime, and owners and employees of venues can be arrested for doing so. This actually happens, e.g. in the shameful case of the Rusty Mullet. Keep that in mind. The LAPD can physically arrest restaurant employees for violations of the CUP. It can also shut the venue down immediately if the CUP is being violated.

Now, in November 2015, eight months after the BID and Zarcone began targeting nightclubs and bars that they didn’t like,1 the Hollywood Property Owners Alliance sponsored a music festival centered around Cahuenga Boulevard between Hollywood and Selma, notably the most caucasian micro-neighborhood in Hollywood-nightlife-land. Thus, on September 9, 2015, Kerry Morrison wrote to LAPD and CD13:

This festival is intended to present a neighborhood “night-life” experience in Hollywood. We are trying to change the image of Hollywood by celebrating the authentic music and artistic options that are here. As such, the BID is “curating” over four days/nights dozens of different musical experiences, acts, pop-up art shows, comedy, etc — and inviting the public in to experience Hollywood as a walkable neighborhood. … The activity is largely going to be centered around Selma and Cahuenga — very little will happen on Hollywood Blvd.

By the way, this statement is full of dog whistles. Note the contrast between putatively authentic music and whatever kind of music they play on Hollywood Blvd. (hint: white:authentic :: ??:Hollywood Blvd. music) Note the scare quotes around “night-life,” and so on. But that’s not all:
Continue reading Peter Zarcone and Kerry Morrison Conspire Not To Enforce CUP Conditions Against BID-Approved Venues for November 2015 BID-Sponsored Music Festival In Stark Hypocritical Contrast To Their Overzealous Hyperenforcement Against Minority-Serving Venues in Hollywood

Off the Emery Wheel

off.the.emery.wheel.1The other day I got the urge to read a little more about Thurgood Marshall. The Los Angeles Public Library’s catalog led me to a book by badass civil rights lawyer Jack Greenberg (read it, it’s fabulous: Crusaders in the Courts, although it’s not the book I’m recommending). That led me to look for other books by Greenberg, and thus appeared before me a book called Off the Emery Wheel which, as you can see, was published in 1935 by an outfit in Hollywood called the Cloister Press. Clearly this was a different Jack Greenberg, but nevertheless I thought it’d be interesting to take a look.
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The LAPL’s only copy is noncirculating, and, while a trip to the big library downtown is always nice even though it’s not plausible anymore to combine it with a visit to Grand Central Market since the goddamned-hipster-douchebag apocalypse and its associated fourteen dollar “revisionings” of the Egg McMuffin and suchlike nonsense, I didn’t really have time. However, I’ve been spending a lot of time in the stacks at UCLA, working on a historical project which you’ll read about here at some point, I’m sure (and which is at least somewhat related to the Hollywood BIDs, unlike this piece) so I thought I’d check their catalog. Well, Lo! And behold, they own a copy, which I promptly ordered up out of storage.
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And what a pleasant little volume to hold this turned out to be!

Inscription in UCLA's copy of Off the Emery Wheel
Inscription in UCLA’s copy of Off the Emery Wheel
I mean, the poetry is abominable (which is why I’m not reproducing any here), but the book itself is an object of desire. And it’s inscribed by the author as well! And note the tidy little logo of the Cloister Press! A little more poking around and I was blessed to lay my hands on a promotional bookmark from the press, which shows that it was formerly located at 1608 Cahuenga Boulevard.
The Manne-Hole at 1608 Cahuenga Boulevard as it looked in its prime
I already knew about some of the storied history of this building, formerly home to Shelly Manne‘s Manne-hole, the subject of a sidewalk historical marker, but not that there’d been an artsy literary press in there.
Continue reading Off the Emery Wheel