Tag Archives: Covert Racism

Mitch O’Farrell Explicitly Approved (in Writing) of Sunset & Vine BID’s Racist Public Art Guidelines Even Though They Arguably Controverted LADOT Regulations

Graffiti art in Los Angeles is a world-famous cornerstone of local Latino culture.  Perhaps this is why the Central Hollywood Coalition, with the explicit approval of Mitch O'Farrell, hates it.
Graffiti art in Los Angeles is a world-famous cornerstone of local Latino culture. Perhaps this is why the Central Hollywood Coalition, with the explicit approval of Mitch O’Farrell, hates it.
We reported a couple weeks ago that the Hollywood Property Owners Alliance had put out a request for artists to submit works to adorn local signal boxes that explicitly excluded graffiti art and cartoon art. This despite, perhaps, given the BID’s vicious white supremacism, because of the fact that graffiti and cartoon art styles are a cornerstone of indigenous Angeleno/Latino culture. Well, if you live in the area, you may have noticed that the Sunset & Vine BID, controlled by the Central Hollywood Coalition, the HPOA’s not-quite-so-evil twin sister, recently put up artwork on ten signal boxes in their district. Their call for artists incorporated the same restriction as the current HPOA one: “No Cartoon Images or Graffiti work of any kind will be considered.”
A picture of another white hipster band, approved by Mitch O’Farrell and placed on a signal box in Los Angeles by the Sunset & Vine BID.
A picture of another white hipster band, approved by Mitch O’Farrell and placed on a signal box in Los Angeles by the Sunset & Vine BID.

We thought we’d investigate the circumstances under which this project was undertaken and approved, and it turned out to be quite illuminating.
Continue reading Mitch O’Farrell Explicitly Approved (in Writing) of Sunset & Vine BID’s Racist Public Art Guidelines Even Though They Arguably Controverted LADOT Regulations

Share

Kerry Morrison and the Hollywood Property Owners Alliance Hate on Mexican-American Artistic Themes as Part of their Cultural Ethnic Cleansing Campaign in Hollywood

Tile artwork by Gilbert Luján in the Hollywood/Vine Metro station.  According to Kerry Morrison and the HPOA this kind of art is not acceptable in Hollywood.
Tile artwork by Gilbert Luján in the Hollywood/Vine Metro station. According to Kerry Morrison and the HPOA this kind of art is not acceptable in Hollywood.
The HPOA is famous for hating on dark-skinned nightclub patrons in Hollywood so it probably shouldn’t be a surprise that they1 also hate on graffiti-inspired artwork, which is strongly associated with Latino/Angeleno culture. But it’s a surprise anyway. The depth of the crazy always is. The fact that the HPOA supports graffiti art when it’s produced by white Europeans makes the whole thing even more shameful.

Here’s the story. Yesterday, the HPOA announced a competition to select artwork for ten utility boxes on Hollywood Boulevard.2 The first two requirements for submissions are:

  • The theme of each project must include “Hollywood”. Be inspired by the city, its history and future!
  • NO3 Cartoon Images or Graffiti work of any kind will be considered.

Do you see the contradiction here? The history of “Hollywood”4 and even more so the future of Hollywood includes cartoon images and graffiti work, both of which styles are inextricably associated with Latino culture in Los Angeles, including, to the evident dismay of the HPOA, Hollywood itself. And even bracketing this uncaring aggressive ignorance about the local culture, we have to wonder who says something like that out loud? Hate graffiti art if you will, or any kind of art, but if you’re announcing a public contest to choose art for public display to be paid for with public money, have the self-awareness to understand that by announcing out loud that you won’t consider a style of art that’s so strongly associated with Latinos you’re making yourself look like a ignorant racist yahoo. Just a fact. You don’t have to believe us, ask your PR firm.5

Tile artwork by Gilbert Luján in the Hollywood/Vine Metro station. According to Kerry Morrison and the HPOA this kind of art is not acceptable in Hollywood.
Tile artwork by Gilbert Luján in the Hollywood/Vine Metro station. According to Kerry Morrison and the HPOA this kind of art is not acceptable in Hollywood.

Just for instance, consider the world-famous Hollywood/Vine Red Line station. Metro commissioned artwork from world-famous Los Angeles artist Gilbert Luján to decorate the station. According to Metro:

Artist and architect worked together to evoke the history, glamour and excitement of the Hollywood film industry’s yesteryears and its great movie palaces.

and according to the artist statement:
Continue reading Kerry Morrison and the Hollywood Property Owners Alliance Hate on Mexican-American Artistic Themes as Part of their Cultural Ethnic Cleansing Campaign in Hollywood

Share

Sundown Towns, Japanese Internment, Opposition to “Right to Rest Act,” All in a Satanic Century’s Work for BID Buddies League of California Cities

Japanese American citizens of Los Angeles boarding a train for the Manzanar Internment Camp at the behest of BID cronies the League of California Cities.  The League, not to mention the BIDs, has been on Satan's side in every major political issue it's faced.  Why would they be on God's side about the Right to Rest Act?
Japanese American citizens of Los Angeles boarding a train for the Manzanar Internment Camp at the behest of BID cronies the League of California Cities. The League, not to mention the BIDs, has been on Satan’s side in every major political issue it’s faced. Why would they be on God’s side about the Right to Rest Act?
We’ve written before about the BIDs’ and the Hollywood Chamber of Commerce’s sinister plot to turn Hollywood into a sundown town by discouraging black and brown people from coming here at night. We’ve also written about the Hollywood Entertainment District BID’s soulless opposition to the saintly Senator Carol Liu’s Right to Rest Act, which would prevent the BID Patrol from harassing and arresting homeless people for violating the vile LAMC 41.18(d), which makes it a misdemeanor to sit on the sidewalk for any purpose other than watching a parade. What we discovered recently from a fine article by Renee Lewis which appeared yesterday on Al Jazeera America is that the two issues are linked via the despicable League of California Cities.
The second "most obvious advantage to be gained" by deporting all the Japanese-Americans in Los Angeles is that white people got to confiscate all their property.  Racist economic warfare is never the explicit policy of the League, but is often its implicit policy
Hotel in Los Angeles confiscated by white people after all the Japanese-Americans were shipped off to concentration camps in 1942. The second “most obvious advantage to be gained” by deporting all the Japanese-Americans in Los Angeles is that white people got to confiscate all their property. Racist economic warfare is never the explicit policy of the League and the BIDs, but is often their implicit policy

Lewis quotes various activists to the effect that “[t]he homeless are not the first marginalized group targeted by the League in its over 100-year history” and “[t]he League has supported sundown towns, Jim Crow laws, Chinese exclusion and Japanese internment.” And it’s true. E.g., look at the LA Times1 on February 16, 1942, where Richard Graves, executive secretary of the League is quoted as saying:

The most obvious advantage to be gained by enactment of such ordinances [including evacuation of Japanese-Americans] is protection of the civilian population…

Continue reading Sundown Towns, Japanese Internment, Opposition to “Right to Rest Act,” All in a Satanic Century’s Work for BID Buddies League of California Cities

Share